Description of Typologies
Penning-Rowsell, 1973
In 1973, Edmund Penning-Rowsell carried out an early review and separated the studies into two types: those independent of landscape users, and those dependent on landscape users. Most of the studies were of the first type, and these generally involved the user defining their preferences rather than the researchers observing the users’ exhibited preferences.
Brush, 1976
In 1976, Robert Brush distinguished between two types of observer-based assessments:
Preferential judgement This approach elicits an individual's like or dislike for a specific environment. The wide range of personal biases, tastes, and inclinations reflected in preferential judgement is likely to result in a wide variation in responses. This is hardly a firm basis for establishing standards of perceived environmental quality.
Comparative appraisal This approach forces the observer to adopt a certain framework for making judgements, a context that compels the observer to consider the expected appraisal of a larger group of persons. If an observer were forced to adopt a certain psychological set, their assessment would reflect the values that they ascribe to a larger group. The variation in responses of several individuals would be less than the variation in preferential judgements of the same individuals. Therefore, this latter assessment may be more useful in public decision-making.
Dearden, 1977
A further early typology was an annotated bibliography of landscape aesthetics by Phillip Dearden [1977], in a Council of Planning Librarians Exchange Bibliography. Dearden identified two main groupings of studies:
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Measurement techniques, in which physical attributes of the landscape are used as surrogates for personal perception;
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Preference techniques, in which the landscape is judged in totality, often by reference to criteria established by photographs and questionnaires.
Arthur, Daniel & Boster, 1977
Arthur, Daniel and Boster [1977] presented a synthesis and overview of techniques for evaluating scenic beauty. They grouped the studies into three categories:
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Descriptive inventories: analysis and description of the components of landscapes; e.g. Litton [1968], Leopold [1969]
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Public preference models: assessment based on public input on preferences; e.g. Daniel & Boster [1976]
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Economic analyses: evaluation of nonmarketable environmental goods; e.g. Krutilla and Fisher [1975]
The first two methods can involve quantitative and non-quantitative methods.
Dearden, 1980
In 1980, Dearden followed up his earlier classification by suggesting three groupings:
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Field-based methods: these involve classifications of the physical landscapes; e.g. Fines [1968], Wallace [1974]
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Surrogate methods: these use observers and photographs as surrogates of the landscape instead of field assessments; e.g. Shafer et al [1969], Daniel and Boster [1976]
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Measurement methods. these refine the measurement quality of field-based methods to improve reliability and validity: e.g. Linton [1968], the Coventry-Solihull-Warwickshire Study [Study Team, 1970].
It is difficult to accept that Linton’s study of Scottish landscapes should be cited alongside the Coventry-Solihull-Warwickshire Study as more rigorous and less subjective than Fines’ study of East Sussex. I include both Fines’ and Linton’s studies in the field-based methods group. Excluding Linton’s study, the measurement method is similar to the psychophysical paradigm [see Zube, et al, below].
Penning-Rowsell, 1981
Penning-Rowsell [1981] viewed the previous dozen or so years of studies, with a particular emphasis on those in Britain, and divided them into three overlapping groupings:
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Early ‘intuitive’ methods: circa 1967 - 71; e.g. Fines [1968], Linton [1968], Hampshire County Council [1968], Leopold [1969]
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Statistical ‘sophistication’: circa 1971 - 76; e.g. the Coventry-Solihull-Warwickshire study [Study Team, 1970], the Manchester University evaluation [Robinson, et al, 1976]
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Landscape ‘preference’ approaches: mainly circa 1973 onwards; e.g. the work of Kaplan, Zube and Buhyoff
Penning-Rowsell provided extensive lists of studies in each category. His groupings are somewhat superficial and because they focus largely on Britain [apart from his third group], omit the considerable work undertaken in North America.
Porteous, 1982
Douglas Porteous [1982] defined four major approaches to environmental aesthetics based on two criteria, rigour and relevance. Porteous noted that, while rigour was traditionally pursued with vigour regardless of relevance, the more recent trend is towards relevance with as much rigour as possible. He defines relevance as referring to the immediacy of the approach to current environmental problems, while rigour refers to scientific theory building and testing [Ibid, 54]. Porteous proposed a model with four groups involved in landscape research [Figure 1].

Figure 1 Porteous’ Groups Involved in Landscape Research
The humanists [or purists] “seek universals intuitively and necessarily eschews immediate relevance and scientific positivism” [Ibid, 54]. Examples are Tuan, Lowenthal and Appleton. The environmental activists seek to ‘act now’ and contrast with the experimentalists who say that ‘before we can change the world, we must first understand it’. Planners is a shorthand term for environmental designers and managers who have to grapple with immediate issues and who often have the training to take a fairly rigorous approach. Porteous considers that no group has reached the “?” position, denoting high levels of both relevance and rigour.
Porteous’ approach tends to diminish the long-term contribution that his so-called humanists [‘theorists’ may be a better term] make. Nevertheless he is correct in identifying two key parameters, relevance and rigour, which should guide work in the field.
Punter, 1982
A further typology, also published in 1982 though rather lesser known than the others, is that by John Punter. Acknowledging the difficulties in categorising the variety and breadth of the contributions on landscape and the range of disciplines that they derive from, Punter proposes three paradigms, landscape perception, landscape interpretation, and landscape (visual) quality.
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Landscape perception deals with the mechanics of perception and its links with vision, comprehension, preference and action. The roots of this paradigm are psychology and although Punter mentions information theory, he does not refer to the work of the Kaplans.
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Landscape interpretation focuses on the meanings imputed to landscape, especially its social and cultural content. “The comprehension of meaning” according to Punter “involves the search for order and the search for significance.” [Ibid, 105] Yi-Fu Tuan is the leading writer on searching for meaning in landscapes.
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Landscape quality focuses on visual quality and the qualities of formalism apparent in a landscape. Punter considers this the weakest in terms of substantive research yet paradoxically exerting an “alarmingly strong influence” [Ibid, 108] on the experience of landscape.
Porteous considers that Punter “attempts to integrate the three threads via a materialist perspective, a kind of neo-Marxist aesthetic” and that he is “particularly severe on both critics and academic humanists for their ‘privileged indifference’ and detachment” [Porteous, 1996, 12].
Zube, Taylor & Sell, 1982
The two most significant evaluations of landscape studies to date were published in 1982 and 1983. The first was by Ervin Zube, James Sell and Jonathan Taylor, the second was by Terry Daniel and Joanne Vining. Both of these evaluations have a strong orientation to studies from North America. Both identify a range of paradigms into which the various studies were assigned. Interestingly there is a close similarity between the two sets of paradigms.
The Zube et al analysis was based on a review of 160 papers published in 20 journals during the period 1965 - 80 including:
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63 physical landscape studies
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21 studies covering recreational activities
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20 critiques of landscape research
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16 papers tracing historical or individual [experiential] aspects of landscape
The four paradigms they identified [Ibid, 8] were:
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Expert paradigm - evaluation of landscape quality by skilled and trained observers; skills derive from training in art and design, ecology or resource management
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Psychophysical paradigm - testing general public or selected sample for their evaluation of landscape aesthetic qualities or specific properties. Observer evaluations and behaviour are assumed to bear a correlational or stimulus-response relationship to the external landscape.
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Cognitive paradigm - this involves a search for human meaning associated with landscapes. Meaning is derived from observation, experience, future expectations and sociocultural conditioning
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Experiential paradigm - the experience of the human - landscape interaction is central here, with both being shaped and shaping by the process.
The paper by Zube et al was a landmark assessment and was accorded an Honour Award by the American Society of Landscape Architects. The Jury stated: “Definitely an outstanding, excellent study. Lots of innovation, marvellous and well-based synthesis. Without doubt one of the leading, current and best-developed documents relating to the field of visual perception and assessment.” [The Jury, 1982].
As shown in Table 1, the dominant paradigms in Zube et al were the expert and psychophysical. However, whereas the expert paradigm was dominant in the early part of the 16-year period, the psycho physical paradigm became increasingly important as the dominant research direction in the latter part of the period. Zube et al provided a detailed analysis of the studies under each of the paradigms and landscape contexts. On the basis of their findings they recognised the need for the development of a theoretical framework.
Table 1 Frequency of studies per paradigm, 1965 - 80
| Paradigm |
Studies |
Expert |
63 |
| Psychophysical |
55 |
Cognitive |
25 |
Experiential |
15 |
Total |
158 |
Characteristic of much of the work has been a separation of two types [Ibid, 23]:
1. The separation of theoretical contributions to books or symposium proceedings, while journals mainly publish applications work – their evaluation covered only journals and thus missed much of the theoretical work. Consequently Zube et al’s paper omitted Appleton’s book [1975], the Coventry-Solihull-Warwickshire study [Study Team, 1971] and Daniel & Boster’s SBE method [1976]. Curiously the survey did not cover any of the Kaplans’ work.
2. They tended to focus on the human components of the landscape rather than on the perceptual interaction with the landscape; such work concentrates on the ‘what’ of landscape perception rather than the ‘how’ and ‘why’. This is particularly apparent in the expert and psychophysical paradigms.
The authors stated: “the most pressing need is for a basic model to which landscape perception research and theory can be fitted and related into a whole.” [Ibid] They presented Figure 2 as a first step towards the development of a theory of landscape perceptions.
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Source: Zube, Sell & Taylor, 1982
Figure 2 Landscape perception (interaction) process
Zube, et al concluded their paper:
“Research without a general theory is fragmentary and has a hit-or-miss quality to it, it is hard to understand how various research efforts fit together, or indeed, if they are measuring the same thing” [Ibid, 25].
Daniel & Vining, 1983
Following on the heels of Zube et al, in 1983, Daniel and Vining published an independent study with findings that paralleled those in Zube et al. Acknowledging Zube et al, Daniel and Vining termed their paradigms ‘landscape-assessment models’ and defined five such models - ecological, formal aesthetic, psychophysical, psychological, and phenomenological. They described each and evaluated them on the basis of their reliability and sensitivity, validity, and utility.
- Ecological model: Experts assess the environmental qualities of the landscape including its natural amenities. Naturalism is an important dimension. Leopold’s river landscape assessment [1969] is an example.
- Formal aesthetic model: Analyses landscapes on the basis of their formal qualities - forms, lines, colours, textures and their interrelationships, plus elements such as variety, harmony, unity and contrast as elements. An example is the US Forest Service’s Visual Management System based on a system developed by R.B. Litton, an eminent landscape architect.
- Psychophysical Model: Psychophysical methods aim at defining the functional relationships between physical stimuli and psychological responses. Mathematical equations are derived to describe these relationships. Examples include studies by Zube, Buhyoff and Hull. The Scenic Beauty Estimation method developed by Daniel and Boster [1976] is a psychophysical method.
- Psychological Model: This approach examines the feelings and perceptions derived from landscapes - the “emphasis is on the cognitive and affective reactions evoked by various landscapes” [Ibid, 65]. High quality landscapes may result in positive feelings of happiness, security and relaxation, while low quality landscapes may be associated with negative feelings such as a sense of stress or gloom. The studies by the Kaplans are examples.
- Phenomenological Model: This model emphasises the individual’s “subjective feelings, expectations, and interpretations” [Ibid, 72] with landscape perception regarded as an encounter between the individual and the environment. Works by Lowenthal and Lynch are examples of this approach.
Both the ecological and formal aesthetic models focus on the characteristics of the landscape whereas the psychophysical, psychological and phenomenological models focus on the effects of the landscape on individuals. Based on their analysis of the reliability, sensitivity, validity, and utility of the models, Daniel and Vining conclude:
“At the present time, none of the models described completely meets all the goals of landscape - quality assessment. By the criteria outlined in this chapter, it is unlikely that either the ecological or the formal aesthetic models can serve as a basis for an adequate landscape - assessment system. For very different reasons, the phenomenological model is inadequate. While neither the psychophysical nor the psychological models are sufficient alone, a careful merger of these two approaches might provide the basis for a reliable, valid, and useful system of landscape - quality assessment.” [Ibid, 80]
Unlike the Zube et al study, Daniel and Vining did not concentrate on the need for theory development. Rather their emphasis was on the improvement of models of landscape analysis.
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Comparison of Zube et al and Daniel & Vining
As stated earlier, there are close parallels between the Zube et al and Daniel & Vining classifications [Figure 3]. Although Daniel and Vining’s ecological model is based on expert opinion, it also reflects a strong naturalism ethic and defines landscape quality in biological rather than aesthetic terms.

Figure 3 Comparison of Landscape Typologies of Zube et al and Daniel & Vining
The expert paradigm and formal aesthetic model involve assessments of landscapes in terms of their abstract features, including lines, forms, colours and textures, by persons skilled in making such judgements. The psychophysical paradigm/model establishes quantitative relationships between physical features and human responses through testing of observers’ preferences. The cognitive paradigm/ psychological model focuses on the feelings and perceptions of people who interact with the landscape and the meaning that land scapes can hold for people. The experiential paradigm/ phenomenological model focuses on the individual experience of the human-landscape interaction, a person’s subjective feelings, expectations and interpretations in an encounter with the landscape.
Since these two seminal works, further systems for classifying the growing landscape literature have been proposed.
Fenton & Reser, 1988
Fenton and Reser [1988] classified the approaches into three categories:
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Objective measurement of physical-setting variables
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Use of judges’ ratings (normative judgements) to define landscape variables with a clear environmental referent
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Description of landscape variables in phenomenological terms
Their first category combines aspects of psycho-physical and expert paradigms, while the second category covers the cognitive, psychophysical and expert paradigms and the third category covers the experiential paradigm. Fenton and Reser suggest an integrative approach to the perception of landscape quality, in which the “inter-relationships between the objective and the perceived dimensions of the environment are simultaneously examined in terms of their contribution to perceived aesthetic quality” [Ibid, 117]. Essentially, they propose relating the landscape’s physical attributes with the corresponding judgements and deriving the relationship between the two. This is essentially the methodology of psychophysical studies.
Dearden & Sadler, 1989
Dearden and Sadler [1989] developed a theoretical framework based on whether the landscape judgement is a mixture of elements external to the observer [i.e. objects] or internal to the observer [i.e. the perceptual, affective and cognitive responses] [Figure 4].

Source: Dearden & Sadler, 1989
Figure 4 Theoretical Framework based on Consensus for Landscape Evaluation
The ratio of external [E] and internal [I] elements varies with the characteristics of the observer, the landscape and the mode of interaction. Where E exceeds I [E > I], consensus will be high, but where I exceeds E [I > E], consensus will be low. E > I is termed objectivist, while I > E is termed subjectivist. The authors compared their framework with the five models defined by Daniel and Vining [1983].
While they acknowledge that it is often difficult to assess the I:E ratio, Dearden and Sadler considered that “some techniques, firmly rooted in an objectivist philosophy, are purely landscape oriented and merely assume consensus”, whereas “other techniques pay little attention to landscape, assume that each observer is unique, [that] there is no consensus and focus their efforts on a subjective analysis of the individual.” [Ibid, 9] On the basis of their analysis, the authors suggest that the various approaches to assess landscape quality “should not be seen as mutually exclusive, ... [but] rather they are complementary”.
Elsewhere, Dearden [1989, 41] defined the objectivist stand of viewing beauty inherent in objects, whereas the subjectivist stand views beauty as being in the eye of the beholder.
At one extreme, the ecological model is focussed wholly on the landscape with no human input while at the other extreme, the phenomenological model is wholly focussed on the human experience and the landscape is almost incidental. The models lying between these two extremes contain elements of both landscape and human involvement. The psychophysical model straddles each and aims to measure both the landscape and human response to it. Dearden and Sadler consider that the psychophysical approach is probably the most favoured approach with good reliability and validity. The phenomenological approach is regarded as the most ‘scholarly’, while practitioners favour the formal aesthetic.
Dearden and Sadler’s identification of the objectivist and subjectivist elements in landscape assessments is welcome, although they appear to confuse objectivity with consensus. Their proposal regarding the relative dominance of external or internal elements appears naïve, as when they state, “in some circumstances beauty will reside more in landscape (i.e. E > I) and in others the eye of the beholder will be more critical in influencing landscape judgements (i.e. I > E).” [Dearden, 1987, 268] This suggests that the influences on an individual are changeable depending on circumstances. Yet it is difficult to see how this could be in practice, how does a person put aside the innate, cultural and personal influences on their preferences and see the landscape purely in terms of intrinsic beauty? The model appears to have the hallmarks of a theoretical construct that has parted company with reality.
Gobster & Chenoweth, 1989
Gobster and Chenoweth defined three ‘descriptor types’: physical, artistic and psychological and analysed these types’ capacity to predict aesthetic preferences for rural river, forest and agricultural landscapes.
Evaluation of typologies
Table 2 summarises the ten typologies that have sought to classify the landscape studies. It lists them under the four paradigms defined by Zube, et al, 1982 for comparison. In some cases it is difficult to assign the typologies as the descriptions used differ greatly, however the Table indicates my best judgement as to their placement. Most of the typologies define only two or three categories and in some instances, several of these amount to the same thing, namely the psychophysical paradigm. |